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Gracie employs the hot desert colours to create light and energy into her vast landscapes and to emphasise the landscape features and tingari dreaming tracks Read more nationality australian artists. View gracie ward napaltjarri artworks sold at auction to research and compare prices
Subscribe to access price results for 150,000 artists! She lives in warakurna, a very isolated aboriginal community This painting depicts designs associated with the rock hole site of marrapinti, situated in a creek bed west of the pollock hills in western australia
The lines in this work represent the tali (sandhills) that surround the site.
Once given the opportunity to paint in her own right a few years later, gracie's artworks resembled classic pintupi dot art A restrained palette, inspired by the colours of her father's homelands with neat dotting In 2008 gracie felt the need to pause and reflect on her practice. Stay up to date with gracie ward napaltjarri (aboriginal australian, circa 1972)
Discover works for sale, auction results, market data, news and exhibitions on mutualart. Gracie began painting is 2004 and was taught by her mother nyungawarra ward and her father george ward tjangurrayi who was also a well known painter George had adapted the tingari story into his unique paintings using colours which were inspired by his homeland. Gracie started to paint in 2004 and was taught to paint by george and her mother nyungawarra ward napurrula
She originally adopted a typical pintupi dot inspired by the colours of her father's homelands.
Aboriginal dreamtime fine art gallery is located at sydney’s beautiful and well known manly beach With over 20 years experience in aboriginal fine art, our gallery has developed relationships with artists and staff from diverse communities throughout australia. Gracie is the daughter of the george ward tjungurrayi, one of the original masters of the aboriginal paintings movement Gracie, as a small child moved to docker river and later to warakurna in western australia
Gracie started painting in 2004 with. At the end of 2009, her painting evolved to give birth to a warm, colorful painting with a careful, completely mastered technique (the realization is done only with skewers, without using the brush, even for circles or fairly wide bands)
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